Nicholas Barber is a fourteenth-century cleric who has left his position in Lincoln Cathedral through youthful restlessness. He is therefore a fugitive, and a hungry one, when he happens upon a group of players and they allow him to join them. Their journey takes them through a town where a woman is about to be hung for murder. They decide to perform a play about her crime but somehow the story refuses to fit the form.
There is so much packed into this beautifully crafted short novel. It is alive with the sights and sounds and smells (especially the smells) of the period and has all the archetypes of the Medieval hierarchy. However, it is an order under strain, where the conflict between the individual and the role that is assigned to them is about to come to the boil.
Nowhere is this seen more clearly than in the dramatisation of the murder by the players. The writing is impressive because we see everything from Nicholas’ point of view as he performs, but we also get a vivid sense of what the audience sees. This is enhanced in the audiobook by the excellent narrator. He distinguishes not just the individual characters, but between their ‘real’ and their theatrical voices, as they move between artifice and realism.
As the players perform the play their understanding of the murder changes. They are not only learning the truth, they are creating it. In telling a story of their own devising, rather than the officially sanctioned account, they are questioning the very basis of their society, even though they know there will be consequences.
Morality Play is a book that stays with you, with its intricate drawing together of the visceral honesty of theatre and the role-playing that we call real life.